CV, Gear & Info

CV – 2020

GEAR:


LOCATION GEAR

The following is a current list of gear I own and operate with. I also have access to additional gear if necessary.

Mixers
Cooper Sound 106+1 Analog Mixer
Sound Devices 888 Mixer/Recorder (16 Ch) w/ Icon Platform M+
Zoom F3 2-Ch 32 bit float recorder w/ timecode

Microphones
Neumann
— KMR-81 i Supercardioid Condensor (2)
— KMR-82 i Supercardioid Condensor [Long Reaching Shotgun] — Scheops CMC4-MK41 Blue Dot Supercardioid Capsule [P.Verrando Upgrade to v5] Sennheiser
— MKH50 Supercardioid Condensor
— MKH416 F Supercardioid Condensor [Rare Build – Flat Response] Audio Technica AT2021 Cardioid Condensor
Electro-Voice CH15E Hypercardioid Condensor
Shure
— VP64AL Dynamic [Long Handle Reporter / Host Style] — 545 Unidyne III Dynamic
— SM57 Dynamic
— SM58 Beta Dynamic
DPA 6061 Lavaliers (4)
DPA 6060 Lavaliers (2)
Countryman B6 Red Dot Miniature Lavalier
Countryman B6 Miniature Lavalier

Wireless
Wisycom
— MCR54 4-Channel Receiver (2)
— MPT41s Transmitter (4)
— MPT60 Transmitter (4)
Lectrosonics
— UCR411a [Blk 21] (1)
— UM250b / UM200c [B22] (2)

IFB
Comtek
— M-216 P7 Transmitter (2)
— PR-216 Receiver w/ Sony MDR ZX110 Headphones (5)

SMPTE
Denecke TS-2sb Timecode Slate (Color Bars)
Tentacle Sync (TC Sync Boxes for Camera) (2)
Atomos Ultrasync One
Atomos Ultrasync Blue
Betso TCX-2+ Wireless Timecode Box (4)Boom Poles
Ambient QP4140 – 17’7″
Ambient QP580 – 10’9″
Film Devices Travel Boom – 5’7″

POST-PRODUCTION STUDIO

Workstation
Pro Tools 12
Asus ZenBook UX550GE
Custom Built PC w/ Intel Xeon Quad-Core Processing, SSD, & 18Gb Ram
RME Fireface 800 Audio Interface
Tannoy Reveal 802 Studio Monitors
Dynaudio Custom Built Studio Monitors
M-Audio Radium 49 MIDI Keyboard
PlugIns from Izotope (RX 9 Advanced, Iris, Ozone, Nectar & Alloy), URS, PSP, TC Native, Focusrite, & IK Multimedia
VST Synths: HALion, Omnisphere, Jupiter, Moog, Arturia, Prophet, Steinberg, Philharmonik & Addictive Drums
50,000+ Sound FX from Sony, Turner, Hollywood Edge/Premiere, LucasFilm & BBC and more

Music Gear
MicroKorg Synthesizer
1990 Ibanez AS-120 Semi-Hollow
2002 Fender GA-45SCE Grand Auditorium Acoustic/Elec.
Mesa Boogie Nomad 45 Tube Amplifier (4xEL84 Power Tubes, 5x12AX7 Pres, Spring Reverb & 3 CH Gain)
SK Fuzz Pedal (Custom Built by Spence Koehler of The Stone Foxes)
Dunlop Volume Pedal
Pigtronix Echolution Delay Pedal
TC Electronics Flashback x4 Delay Pedal

PRE-PRODUCTION:
Please refer to my Pre Production Inquiry List to help ensure we have a smooth day.

LOCATION SCOUTING:
For narrative works, I should be involved with the location scouts.

Additionally, you can use http://howloud.com to get a sense of what noise is like at your desired locations.  If we are shooting exteriors in or near a red zone, please consider if this location is absolutely necessary.

* Please consider these issues when planning tight schedules and magic-hour shots.

LOCKING IT DOWN:
Great sound takes COLLABORATION WITH THE ENTIRE PRODUCTION (beginning with pre-production). I encourage you to read “An Open Letter from your Sound Department” and help me help you create the best possible sound-track of your talents’ performance.

GO GREEN!!
Making Productions Green SAVES YOU MONEY!
In an effort to be Eco-Friendly, I primarily use Rechargeable NiMh batteries and only purchase a smaller number of lithium-ions for certain situations and backup. This SAVES YOU MONEY and KEEPS OUR PLANET HAPPIER! I charge a small daily fee to keep my stock replenished, as their cycles wear out per-use. Your savings on my invoice.
For More Ways You Can Go Green and Save Money:
http://www.greenproductionguide.com/going-green-saving-green-a-cost-benefit-analysis/